Galerie Le Beau will be exhibiting a selection of pieces designed by the master designer and architect Alvar Aalto, from the 7th of June to the 20th July 2018.
Alvar Aalto was a hugely talented architect and an ardent spokesman for the international modernist movement, which he drew on to develop his own unique style. To this day he is considered one of the great masters of mid-century design and architecture.
During his long and prolific career, Alvar Aalto’s work embraced virtually all key public institutions as well as standardized housing and corporate headquarters.
Alvar Aalto began designing furniture and lighting as a natural but vital extension of his architectural thought.Innovative and radical, Alvar Aalto developed a reputation for his experimental approach to bending wood, through Artek, the company he founded with his wife in 1935. His style became known as human modernism.
A keen student of the subtle northern light, Alvar Aalto tried to integrate his work on lighting into each of his architectural achievements.
Innovative and radical, Alvar Aalto’s designs were influenced by artists as Hans Arp, Fernand Léger and Alexander Calder. Curves and free form elements became and are until today his signature.
Every year, during Easter holidays, Galerie Le Beau curates an exhibition in Knokke dedicated to 20th century design.
This year rendez-vous will be the opportunity to discover the Atelier Luc Peire, the Knokke foundation of the Belgian painter.
On the occasion of « Les Nocturnes du Sablon » (23-26 Nov), Galerie Le Beau will open an exhibition on iconic furniture and lighting by major mid-century French designers Jean Prouvé, Charlotte Perriand and Serge Mouille.
Shortly after the Second World War, this generation of designers and architects brought a new concept to the art of furnishing, dictated by a need for freedom and functionality in a time of technological and scientific advances, creating for the first time forms that were pure and without ornament.
Galerie Le Beau presents an exhibition dedicated to rare designers’ lights.
The invention of incandescent light bulb in the 1870s led to lighting becoming one of the first publicly available applications of electrical power. During twentieth century, designers took over this new technology to challenge their desire of creating welcoming and functional, yet aesthetic interiors. Some of them went even further by exploiting the highly decorative potential of lamps and creating real sculptures.
For Easter holidays, Galerie Le Beau will be exhibiting on the Belgian seaside in Knokke.
We will curate an exclusive exhibition dedicated to mid century Brazilian design furniture, in the historical modernist building « Het Zwart Huis ».
Steel’s constructive potential is not the only thing that interests me; the refraction of light on its surface is an important part of my artistic work. I consider steel a material with the same artistic merit as wood and leather
Kjærholm’s design is characterized by its understated elegance, clean lines and remarkable attention to detail – modest in means, but rich in expression. Although he always considered functionality an absolute requirement this was always done with an unwillingness to compromise as an artist.
Kjærholm’s work is represented in numerous museums around the world, most notably in the permanent collection of the Museum of Modern Art in New York and at the V&A Museum in London.
The gallery presents a selection of furniture that illustrates the craftsmanship and timeless design of the best danish architects and designers, including Hans Wegner, Arne Jacobsen, Finn Juhl…
For our post-summer show, we are presenting a selection of furniture by Danish designers, and a solo exhibition of Blaise Drummond‘s works on paper.
Running through Blaise Drummond’s drawings are invisible threads that connect disparate universes, sensations and memories, anchored particularly in 1950’s and 60’s design and architecture.
For its first anniversary, the gallery pays tribute to Claude Gilli, an important French artist (« Ecole de Nice »), known as one of the father of the French pop art movement, alongside Martial Raysse.
The gallery exhibits historical works from Gilli, including an important Ex-Voto from 1964, as well as other works from the same period of the British visual artist Roy Adzak, the German Ferdinand Spindel and the Belgian abstract artist Kurt Lewy.
In addition, a selection of vintage furniture illustrates the depth of the creativity in the sixties.
« Beauty Icons » presents the aesthetic vision of major artists like Helmut Newton, Robert Mapplethorpe and Gregor Hildebrandt.
The gallery will show important vintage prints chosen for their resonance with a selection of furniture from influential designers of the XXth century.